Verdis next opera after aida nyt


Rossini Opera Festival 2025 Review: Zelmira

(Photo: Ken Howard / Met Opera)

The curtain rose on Egyptian tombs. In the center, a rope came down and with it an archeologist. As he reached the bottom to get off the rope, he fell to the ground, the sound of his body crashing over the delicate violins that opened the prelude to Verdi’s Aida.” That was not supposed to happen.

The man in question got up fortunately unscathed, but for the first few moments of the night, the spell was immediately broken. It would serve as an ample metaphor for the rest of what was a hotly anticipated New Year’s Eve gala.

Excavating Nothing New

Michael Mayer’s production seems aimed at celebrating different interpretations of “Aida,” including the Sonia Frisell production it replaced. That production stood tall for over 30 years with both grandeur and simplicity. A production that featured massive and imposing sets, but also managed its vertical space, horizontal space, and depth quite well. The big victory scene at the end of Act two is quite similar in its visual layout with the army entering from left to right before settling in the center of the stage. This sc

verdis next opera after aida nyt

Dayton Opera Unveils Star-Studded Cast and Conductors for Verdi’s Epic Aida

Posted February 28, 2025

Keitaro Harada, Music and Artistic Director Designate of the Dayton Philharmonic, conducts a star-studded cast in DPAA’s monumental new production. Dayton Opera Artistic Director Kathleen Clawson directs.

DAYTON, OH (February 25, 2025) – The Dayton Performing Arts Alliance announces cast and conductors for Dayton Opera’s upcoming production of Verdi’s Aida. Aida takes place Friday, April 4 at 7:30pm and Sunday, April 6 at 2:30pm at the Schuster Center. DPAA’s Take Note—a free, educational talk—precedes each performance on the Charles D. Berry Foundation Stage. Dr. Sam Dorf, a Professor of Musicology at the University of Dayton, moderates the lecture and discussion.

Tickets start at $5 and are available online at DaytonPerformingArts.org; by phone at (937) 228-3630; or by visiting the Schuster Center Box Office.

A CLASSIC OPERATIC LOVE TRIANGLE

Giuseppe Verdi’s Aida premiered in Cairo on December 24, 1871. Set in ancient Egypt, the opera follows a tragic love triangle between Aida, an Ethiopian princess enslaved in Egypt; Radamès, the Egyptian military

Verdi at the Met

By Peter Clark

The operas of Giuseppe Verdi (pictured below) have been performed around 5,700 times at the Metropolitan Opera, more than those of any other composer by a wide margin. The majority of this total were performances of his “big four” in popularity: Aida, and the trio that Verdi wrote in the short span between 1851 to 1853, Rigoletto, Il Trovatore, and La Traviata. This mid-career triptych was represented in the Met’s first season, 1883–84, and the works were clearly already proven attractions to the public. TheNew York Times, contemplating the immense size of the new Metropolitan Opera House and the difficulty in filling it, noted that “Il Trovatore with such a cast as that of last night is always a strong enough attraction to test the capacity of an opera house.” At the Traviata premiere, the newspaper observed “the audience was numerous and enthusiastic.”

Aida first appeared at the Met in 1886, during the period from 1884 to 1891 when a German troupe was in residence and performed everything in their native language.  But it was the scenic grandeu

Verdi’s next opera after “Aida” NYT Crossword Clue

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VERDIS NEXT OPERA AFTER AIDA

Last confirmed on September 11, 2024

 

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Verdi's next opera after "Aida" (6)

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